Looks can be deceptive. Don’t judge a book by its cover. And my personal favorite metaphorical phrase—don’t just…
Author: Angie Comer
FRENSHIP Flirts with Soul in the Charming EP ‘Base Camp’
Good music can pretty much come from anywhere. But something tangible, touched with soul and greatness,…
‘Life’s a Bitch…But it Gets Better’ provides a tragic backstory with a positive outcome
Cursing doesn’t make you badass. Being a badass in today’s terms is earned, not deserved. And…
Ballad Heavyweight, Adam Melchor Drops His ‘Fruitland’ EP Wrapped in a Bling Belt
Everyone has the power of choice. And when you choose to pay attention, it may mark…
Madison Beer Finds Her Voice on ‘Silence Between Songs’
A singer that doesn’t sound like someone else is a rare thing these days. You want…
Expertise, Authority, and Trust – ‘Crowd Pleaser’ is a Testament to Foley’s Musical Journey
Ash Wallace and Gabriel Everett, more affectionately known as the Indie-Pop duo Foley, recently dropped their debut…
REVIEW: Charlotte Cardin’s Sophomore Album ’99 Nights’
Charlotte Cardin has been dropping music since 2016. As a former contestant on NBC’s The Voice,…
Less Proves to be More with the Timeless EP, ‘Chapter of You’ by Wrabel
Recently, I joined a few close friends at a dinner party. Chatting with the husband of…
REVIEW: The Band Camino’s Album ‘The Dark’
Get ready to dive into the infectious sounds of The Band Camino’s new album, The Dark. It’s…
REVIEW: Noah Guy’s ‘Who’s Taking Time (Act II)’
Great things arrive in all types of packages. This includes music. It does not take a…