REVIEW: Quarters of Change’s Album ‘Portraits’

What makes rock, rock? Perhaps it’s the lyrics boiling with a hint of rage? The mayhem of the beat that pulls the rug from under you every time? Or maybe it’s the flamboyant weirdness of a lead singer whose movements are swift, precise, and rhythmic? Rock is all of that and none of it at the same time. Rock is an anthem within itself. Rock is messy, chaotic and the one-night stand you cannot quit. Whenever I hear it, I’m on the hunt to let loose at the first available house party.

Rock is not new. One band’s approach is another band’s subtle detour, and part of the charm of Quarters of Change is their ambitious mix of traditional and hipster rock. Launched in 2017 as a cover band secretly recording in the basement of their school, today, they have become one of the fastest-rising rock bands. These guys have carved out a special place in this genre, making them somewhat distinct in sound and attitude.

Their latest album, Portraits, released via 300 Entertainment, showcases their remarkable musical journey. “The album is made up of individualized fragments that provide different perspectives and create their own little vignettes,” shares frontman Ben Roter. Self-producing and making significant musical waves, Quarters of Change seems determined to push its boundaries and create music that resonates with its fans. A level of creative independence is born when an LP, such as Portraits, is entirely self-produced. I think it establishes this band as taking artistic responsibility. Quarters seized the opportunity to experiment and craft a work that genuinely reflects their harmonious vision. Through their many collabs with notable and accomplished talents like Grammy Award-winning producers Mikey Freedom Hart, Dave Tozer (John Legend, JAY-Z), and producer Brandon Shoop, they managed to foster a unique chemistry within Portraits. 

With a fun collection of captivating songs, Quarters has successfully enhanced its signature sound with introspective lyrics and reflective ballads like “Time Before Morning” and “Turn Away.” These “couples only” slow jams took me back to the Def Leppard “Love Bites” days.

I give props to Quarters for being who they are and not falling into a trap to solidify a rock reputation launched by long hair and bad behavior. Self-producing is a paramount decision for any group, and Quarters of Change’s future in the music industry looks promising. With steadfast tenacity to create music that inspires and connects with listeners, Quarters sets themselves apart as a band poised for continued success in the years to come.

Featured photo credit: Anna Henderson