REVIEW: A24’s ‘Civil War’: Conflict Through A Different “Lens”

As the credits rolled on the new A24 film Civil War, there were about a thousand…

FILM REVIEW: ‘Drive-Away Dolls’ is a Runaway Hit

In Ethan Coen’s first solo narrative feature film as a director since he and his brother,…

Recap: 2024 Sundance Film Festival

The 2024 Sundance Film Festival recently came to a close. As the largest independent film fest…

Review: Ridley Scott’s ‘Napoleon’ Starring Joaquin Phoenix

The longevity of a Ridley Scott as a filmmaker is extraordinary. He continues to churn out…

REVIEW: ‘1989 (Taylor’s Version)’ Never Goes Out of Style

As Taylor Swift continues the journey of re-recording her back catalog of music so as to…

REVIEW: ‘Taylor Swift: The Eras Tour’ Film

Taylor Swift is the biggest pop star in the world, and her Eras Tour is one…

Understanding the WGA and SAG-AFTRA strikes

More than four months have passed since the Writer’s Guild of America (WGA) officially went on…

REVIEW: Christopher Nolan’s ‘Oppenheimer’

In the days since my first viewing of Christopher Nolan’s latest film, Oppenheimer, there are three…

July 2023 Movie Break Down: ‘Barbie’ and ‘Oppenheimer’

With the 2023 summer movie season kicking into high gear, the month of July is poised…

FILM REVIEW: Wes Anderson’s ‘Asteroid City’

American auteur filmmaker Wes Anderson is back with another addition to his eclectic filmography, Asteroid City.…