Jack Wright may have first caught the internet’s attention through viral dance videos and charm-packed content, but his creative ambitions were never confined to short-form platforms. In recent years, the performer-turned-actor has shifted his focus from social media to the screen, starring in projects like “One Stupid Thing” and “ALL THERE IS” — two very different films that both dive into some of today’s most pressing themes: friendship, consequence, and the complicated role technology plays in our lives.
In our conversation, Wright reflects on his journey from digital fame to dramatic roles, the mental shift required for film acting, and the joy of discovering new creative layers. Along the way, he shares the lessons he’s learned about trust, resilience, and staying grounded — both in the spotlight and behind the scenes.
Q: You first broke onto the scene through social media, especially TikTok — at what point did acting shift from just an interest to feeling like your true career path? Was there a specific moment or project that made it click for you?
A: Since I was a child, I’ve loved creating short videos with my brothers and friends. From comedic content to scary content, I loved entertaining! From elementary to high school, I competed in hip-hop and tap and loved the performance aspect — I loved making people laugh and feel moved. I started using dance, performances, and skits in my TikTok content because that love of entertaining never went away. During my senior year of high school, my twin was accepted to Stanford. I had to decide between continuing pole vaulting in college or pursuing acting full-time. I chose to stay in L.A., immerse myself in acting and improv classes, and continue creating. That decision — choosing my passion — is when it truly clicked.
Q: Coming from a digital creator background, you’ve spent plenty of time in front of the camera — but how has short-form content shaped or challenged your approach to acting in film?
A: Creating short-form content means I control everything — the shots, the edits, the takes. In film, I’ve had to fully trust the director and the production team. At first, it was hard not seeing instant playback, but it’s actually become a freeing process. I’ve been lucky to work with incredible directors and editors, which made that adjustment easier. With film, I get to focus on the process rather than the performance analytics, and that’s been really rewarding.
Q: A lot of people know you for your personality online, but scripted roles require a whole different kind of self-expression. How do you approach building a character versus simply being yourself on camera?
A: I journal as the character and read the script again and again. For me, a film allows more time and space to explore different sides of myself than a 15–30 second video ever could. My background in pole vaulting and dance actually helps here — both taught me how to study and break down technique. Acting is the same. I spend hours preparing before a single scene.
Q: Looking back on your creative journey so far — from social platforms to starring in films — what moment stands out to you as a real turning point?
A: One turning point was in acting class when my instructor gave career feedback. Their belief in me meant so much and really solidified my choice to pursue this path.
Q: What’s been the biggest lesson you’ve learned while transitioning from viral fame to navigating the entertainment industry as an actor?
A: It’s not a smooth road, but patience, hard work, and belief in yourself go a long way. Rejection is part of the journey. My pole vaulting background taught me that — every meet ends on a missed attempt, and you just try again next time. I also wouldn’t be where I am without my agents, managers, mentors, and loved ones. Surrounding yourself with the right people is key.
Q: You’re still active as a creator while building your reputation as an actor. How do you balance those two worlds, and do they ever overlap in ways that catch you off guard?
A: They overlap constantly! Acting is my main focus now, but I love creating positive, fun content — especially behind-the-scenes on set with fellow actors. Social media can be tough on mental health, so I try to keep it light, real, and meaningful.
Q: Let’s talk about One Stupid Thing — it sounds like such an intense psychological thriller. What drew you to the project, and how did you approach getting inside your character’s mindset?
A: I connected with the bond Trevor has with his friends and the core message of the film. To prepare, I studied the script in-depth, journaled as Trevor, read the book, and even had the chance to talk to the author to better understand the character.
Q: The film explores how one mistake can completely change a life. Did working on the story make you reflect differently on decision-making or accountability in your own life?
A: Absolutely. Every film I work on makes me reflect. I believe in taking accountability for past mistakes — it’s how we grow.
Q: You worked with a really interesting mix of seasoned actors and fresh faces on One Stupid Thing. What was it like collaborating with director Linda Yellen and the cast?
A: Linda was amazing — so collaborative and passionate. She poured her heart into this film. Todd Traina, the producer, was welcoming from day one. Sky, Corey, and Shelby were incredible scene partners. I learned so much from each of them.
Q: Shooting in New Jersey adds such a distinct atmosphere to a film. Did the city itself influence your performance or shape your experience on set in any unexpected ways?
A: Definitely. We filmed in Point Pleasant, and I fell in love with the beach, boardwalk, and local spots like Pop’s Corner. Growing up in California, it was great to soak in the East Coast energy.
Q: In ALL THERE IS, the story dives into the dark side of social media and AI — two things that have played a big role in your own public profile. Did the script feel personal to you?
A: Yes. I try to be authentic online, and mental health is really important to me. This film spoke to that — how teenagers struggle in a digital world. I focus on the positive side of social media and appreciate the kindness that still exists online.
Q: The film blends dark comedy with a cautionary tale. How did you find the balance between humor and tension while bringing your role to life?
A: Dark comedy often exists naturally in serious moments. I try to draw from my real-life experiences — I use humor to cope with tension, and that shows up in my roles.
Q: With your background in social media, did you feel like that experience gave you an edge when connecting to the themes of ALL THERE IS?
A: It did. I’ve seen both the fun and the darker sides of social media, so that experience gave me context for the role.
Q: Between a thriller like One Stupid Thing and a sharp social satire like ALL THERE IS, you’re covering a lot of creative ground. What kinds of stories or roles are you most excited to explore as your career evolves?
A: I’m excited to dive into all genres — comedy, horror, action, adventure, drama. My acting classes give me the chance to explore it all, and I’m open to everything.
Q: Both films tap into really modern anxieties — from social media to personal missteps going viral. As someone who’s lived in both the influencer and acting worlds, how do you stay grounded when you’re in that kind of constant spotlight?
A: I try to stay authentic and remind myself that people online don’t always know the full story. My support system — friends, family, and mentors — keeps me grounded, and I try to show up for them in the same way.
Q: What is one quote you’ve heard in life that you’d want to ECHO out to fans?
A: I have two favorites:
“Carpe Diem. Seize the day, boys. Make your lives extraordinary.” — Robin Williams as John Keating in Dead Poets Society
“If my mind can conceive it, if my heart can believe it, then I can achieve it.” — Muhammad Ali
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